My Ideas on Compositors
Joakim Sindholt
bacn at zhasha.com
Mon Jan 31 13:50:23 PST 2011
On Mon, 2011-01-31 at 22:37 +0100, Carl-Philip Haensch wrote:
> Zitat von Joakim Sindholt <bacn at zhasha.com>:
>
> > On Mon, 2011-01-31 at 21:49 +0100, Carl-Philip Haensch wrote:
> >> Zitat von Joakim Sindholt <bacn at zhasha.com>:
> >>
> >> >
> >> > What benefit does this approach give over clayland (or similar toolkit
> >> > backends)?
> >>
> >> I don't find information about clayland.
> >> What is it, what does it?
> >
> > It's a wayland compositor abstracted by the clutter toolkit.
> > http://cgit.freedesktop.org/~krh/clayland/
> >
> > The demo compositor is a good thing and all, but it's not really my
> > impression that it should be used as a foundation for real world
> > compositors, other than the protocol specification part.
> >
>
> The demo compositor is ment to be light-weight so that awesome-users
> will have no fear to use it. So it's a necessary need to make the demo
> compositor extendable in a way you can add all features you know from
> compiz&co.
> The plugin API should be the interface between the hard coded C
> compositor and the special effects which have to be aspect oriented
> (AOP is really new i know, but necessary to create features with cross
> cuts)
>
Why does it have to be the demo compositor? Why can't people simply
write their own compositors instead of using the demo code?
And again, group reply please.
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